An exploration of intention and meaning: Lady on the Foreshore

Lady on the Foreshore came flooding out of me one morning in December 2020 when I began to open to a WildWood entity who has associations with the Sea.

At first, I thought it was a suicide song and that it was about a woman (who I saw in Victorian garb) shedding her worldly self and embracing the eternal by walking into the ocean. It seemed that she was battling some inner turmoil and her way out was to end her life.

But the entity I worked with told me that I could not be more wrong.

What the song is actually about is divination/oracular work: the ways in which people can and have looked into the tides, into everything that surrounds them in a coastal setting, for answers to questions that they are holding.

The cliffs form a container that holds space quite literally for the Lady standing on the sands below. They contain a range of different plants and rocks and birds and animals and other beings, all of whom add something to the working being done below. The song only briefly hints at this, but it is there between the lines, beneath the melody.

The Lady in the song uses a range of different methods for seeking answers.

She uses the motion of the waves and the sound of their coming into shore to move into a trance state whereby she may be shown a vision or receive knowledge in another way.

She counts the waves to provide her with a sense of when something is going to occur.
She uses the combination of wind and water to find direction: much in the same way that someone may use a pendulum.

She uses the wind scattering her footprints as a vehicle for breaking old habits that tie her down. The wind takes them so they may be transformed into something new. Or perhaps the waves take them.

She places her voice onto the gulls so that they can be her envoy and help her to be heard by those who reside in some other realm, such as the one above. Some things cannot be uttered aloud – they are too powerful or secret for that. Using the voice of the gulls enables them to be heard by those who need to hear them but not understood by those they are not intended for but who may overhear them.

She watches the clouds for a response: their shape, their colour, their movement are all signs that can be interpreted.

All of this is done at a particular time of day – sunset.

The sun makes a path on the waves. For someone who works with trance states, this path can be walked and lead somewhere of relevance.

So why did the song take me over a year to put on my blog? Because it isn’t finished. There’s a whole lot more that is yet to come.

The lady goes into the ocean by moonlight where more mysteries are revealed. But I haven’t received that part yet. I was waiting for it to come through, but it is not yet the right time.

So, think of Lady on the Foreshore as being Part One.

Hopefully Part Two is on its way.

© AM (Xander) Hunter January 2022

On a Dark Moon in Cancer

Patherfinder Godsoul
Wandering guide
From moon you run
From sun you hide

Four petaled flower
Of rotting flesh
Shrieking hunger
Claws through death

Reaching fingers
Grasping hand
Basking, patient
Lies the land

Watching giants
Piercing eyes
Sliding in silence
Untangling minds

Red slices open
Black peeks through
Blazing sword
Sheathed anew

Dancing Goddess
Gap toothed smile
Cloak swirls over
Hearts beguiled

Tin men standing
On dust of gold
Cobwebs shrouding
Lores of old

Through it blazing
The eternal king
Compassion razing
Bones within

Dark hearts beating
Mirrored breath
Who’s competing
In the land of Death

Sound breaks over
Forgotten stones
Truth comes calling
From broken homes

Slit eyed bleating
At the break of dawn
Storm clouds receding
From the cups of horn

And here’s a glimmer
Of what came before
Red spire rising
A dark wooden door

Who will enter
Who remain behind
Trapped in amber
A thin black line

Just when we begin
To breathe once more
The crooked hand beckons
From behind the Whore

But she is softness
Wrapped in night
Welcome comfort
Consoling light

© AM (Xander) Hunter July 2020

I am Waiting

I am waiting
For that four leaf clover
I am waiting
For that rabbit foot charm
I am waiting
To come across a lucky fountain
And a golden coin to ‘protect me from harm’

I am waiting
For that bell to keep on tolling
I am waiting
To hear you calling my name
I am waiting
For that door within the mountain
To open on up and let me live again

I am waiting
For your Hell to freeze over
I am waiting
For your Satan to rise
I am waiting
For your hosts of heavenly angels
To rain down justice from the skies

I am waiting
For the Earth to keep on burning
I am waiting
For those oceans to rise
I am waiting
For the World to keep on turning
After Humans have succeeded in their own demise

Listen to the song

© AM (Xander) Hunter September 2019

Weaving Warding Song

I weave my will into this charm
I weave my will into this charm
I weave my will into this charm
It shall protect me from all harm

I weave my will with this red thread
I weave my will with this red thread
I weave my will with this red thread
Malicious ones trap in my web

I weave my will with breath and bone
I weave my will with breath and bone
I weave my will with breath and bone
Protect this hearth protect this home

Listen to this song

 
© AM Hunter 2019

Life Between the Veils; a reflection

My life is spent between the veils of the seen world and the unseen worlds. What I mean by that is that I see and need to navigate both, often at the same time.

The world shimmers around me as a I walk, sometimes quite vividly and others barely noticeable. But the veil is always there.

In my workplace the walls of the corridor become the walls of my Patron Deity’s temple. I see the stone, smell the incense, trace the designs with my mind’s eye as they shimmer in the torchlight before blinking back to being office walls.

Driving means being very aware of the road in the here and now and of other traffic, despite perhaps seeing houses change to forest with faces staring out from behind the trees. Grounding and aligning are practices that I do daily; sometimes several times each day. I use my tools to help with this navigation so that I remain aware of all worlds.

Navigating the worlds as a Seer (which is how I choose to label myself) has its difficulties.

Raised in a Western society that views the unseen as imagination or as madness, I was fortunate to have people around me who patted me on the head and attributed my difference to the former. Even so, I learned to be careful about engaging with the unseen in ways that might upset the others around me. I could not disguise the fact that I was ‘different’. Nor could I escape the consequences.

I remember vividly my first ‘vision’, which happened when I was a teenager on a train packed with my fellow class mates. We’d been on a field trip, it was late and dark outside, and I was tired. I remember drifting in a way that I had developed instinctively during class-time when I had to pretend that I was there when I really wasn’t. Eyes open, but unfocussed, picking a detail to stare at and then look beyond.

The air shifted.

Picture book Jesus was there before me, in white, with black neat beard and long black hair. He was very bright and shinning with an inner radiance. Around him the sky was rose coloured. He smiled at me and held out his hand. I was filled with such indescribable joy that it overwhelmed me. I held out my hand and reached toward him. We spiralled around each other as the sky changed colour from rose to blue. The light became stronger.

I blinked.

And returned to a sea of faces staring at me.

It was many years before I confessed my vision to anyone. I held it close. I did not identify strongly as Christian – my family were not church-goers, at least not at that time, and I really only knew some vague stories about Christmas and Easter.

I was careful about when and where I decided to drift from that moment on.

To say ‘I hear voices’ or even ‘I see things’ is to be open to ridicule and be in danger of being designated ‘looney-tunes’ by the others. There was a hospice for such people near to where I grew up, and a strong negative association with being assigned that particular label. So I allowed others to perceive me as something of a dreamer, someone who may not be ‘all there’ but was largely non-threatening; a little naïve, and a little stupid.

I made myself invisible.

I shackled myself and told myself that the things I saw and heard were not to be noticed in any ‘real’ sense; they were characters in a story I was writing that had become a little more vivid (as story characters often do).

I began to write.

I am no longer shackled, and have embraced my true nature. Being able to see, to sense, to feel is a gift, and like many gifts, one that is not always wanted. But it comes with responsibility and purpose. It can be grown or ignored (at your peril, usually). I chose to grow mine. I have never regretted that decision. Sometimes the gift that is not wanted becomes the one you most prize.

Zooming forward in time to the present, I know that it was my Fetch-mate and not ‘Jesus’ who held out his hand to me. Jesus was just a mask he wore because it was a spirit being that my brain had words for.

A way of engaging.

A doorway, if you like, to which I am a key.

 
© AM Hunter February 2019