Enjoying the wonders of creation

I am a song writer, not a singer. Although I do record myself singing, it’s illustrative more than anything else.

I love singing!

The joy that comes from the simple act of air moving through the vocal chords always catches me by surprise. Even on my worst and most negative days singing along to my favourite songs, or just singing the words in my heart, never fails to lift my mood.

Singing is one of the hidden wonders of our world; a sacred act. It connects us in profound ways to the vibrations of life; the beginning and end and renewal of all things.

Singing brings us home.

Writing songs is not something I do. It’s who I am. The songs come as naturally as breathing and are as nourishing as the most exquisite feast. They spiral through my heart, my soul, to my head and give me no peace until I capture them. Sometimes I imagine them as butterflies dancing around my eyes. Their colour, beauty and design so close, so wonderful. And yet if I reach out and grab them it’s so easy to end up with something squashed and twisted beyond all recognition. My songs as I catch them are never the way I hear and see them. My voice is not good enough; I can’t sing that high, or that low; I’m not a soul singer, a jazz singer, or whatever the song calls for.

What I catch is an impression of what I experience in my head.

The other week I was watching the X-Files season one. It was the episode of the Jersey Devil. The wild woman lay dead in the leaves and Mulder, his eyes filling with emotion, looked into the smug face of the Alpha Male who shot her and said ‘why’.

And my head sang:

In the  thrall of our own trauma
We thrive on the pain of others
To numb our own.

It came as a Gregorian Chant, repeated over and over again like a delicate bell tolling the marking of some special occasion. And I kept seeing Mulder’s face, hearing him asking ‘Why’. And thinking of the Wild Woman dead in the leaves. The Man of Authority who shot her. How happy he was to have done so.

I wondered: why those words and that scene – together?

Singing the chant over and over as I moved through the next few days I began to realise why the Wild Woman had to be dead in the leaves. Why Mulder’s face while he asked that question was so haunting. Why it called to me so profoundly and touched me so deeply.

I am Mulder asking myself – that part of me that curbs my passions and corrals my creative imaginings into something ‘acceptable’ – why I am laying dead in the leaves. My wild soul; my true self.

Focusing on the pain of others means I don’t have to focus on my own. Confronting my shadows is a revolutionary act if I can allow myself to feel the pain, and see the beauty; to experience love, truth and wisdom in the darkness as well as in the light. And yet facing that particular mirror is terrifying.

I don’t trust many people – especially myself. Anxiety traces the spider’s web of fears that threaten to splinter my soul. It creeps out of the corners and lurks just out of sight.

And yet that simple, almost childish question of ‘why’ reminds me of how beautiful and freeing compassion and empathy are. I remember that they are my strength. The innocence of the Wild Woman, killed for following her nature and daring to be her true self, contains such courage. It’s the kind of courage that I constantly forget because society continually tells me that I should be something other than who I am.

And I am complicit.

That chant, that scene, is my call to arms to myself to be courageous again. To act with compassion and empathy. To be in tune with my heart as it sings that silvered otherworldly glow fluttering behind my eyes into life.

I am Waiting

I am waiting
For that four leaf clover
I am waiting
For that rabbit foot charm
I am waiting
To come across a lucky fountain
And a golden coin to ‘protect me from harm’

I am waiting
For that bell to keep on tolling
I am waiting
To hear you calling my name
I am waiting
For that door within the mountain
To open on up and let me live again

I am waiting
For your Hell to freeze over
I am waiting
For your Satan to rise
I am waiting
For your hosts of heavenly angels
To rain down justice from the skies

I am waiting
For the Earth to keep on burning
I am waiting
For those oceans to rise
I am waiting
For the World to keep on turning
After Humans have succeeded in their own demise

Listen to the song

© AM (Xander) Hunter September 2019

Weaving Warding Song

I weave my will into this charm
I weave my will into this charm
I weave my will into this charm
It shall protect me from all harm

I weave my will with this red thread
I weave my will with this red thread
I weave my will with this red thread
Malicious ones trap in my web

I weave my will with breath and bone
I weave my will with breath and bone
I weave my will with breath and bone
Protect this hearth protect this home

Listen to this song

 
© AM Hunter 2019

My Dark Lover

He beckons to me
My Dark Lover
In secret whispers
And hidden sighs
Come to me
My broken beauty
Dance with me
On shattered lives
His voice is deep
And full of longing
Like sunset light
Among darkened trees
Fingers reaching
Pale shards of bone
Piercing skin
Like tattered leaves
And I lay wrapped
In his silken blackness
Parted lips wait
To breathe their last
Till teasing smiles
Crack me open
Silvered tears
Break my fast
And I sigh
One long breath out
A holy prayer
To he who waits
For me to grasp
His outstretched hand
And dance the dance
Of Wyrd and Fate

© AM Hunter – May 2019

About the poem

Rebirth: Becoming Whole

I can’t remember when I knew that I was different to the others around me. I just was. Nothing I did helped me to fit in – it just made me stand out more. A freak. Different. Odd.

I’ve tried so hard to be what others expected me to be – the gender people expected me to be. I watched people like Marilyn Monroe, who had such a reputation, and tried to mimic them – or at least the movie versions of them. How they moved; how they spoke; how they thought. The words they used. Their quirks.

But somehow that just made me more of a freak.

I grew up in the midst of the Gender Bending eighties, and felt at home there. But in the conservative, mainstream small-minded place I grew up in, that just made me a target. I remember sitting in class thinking of the words to Prince Charming by Adam and the Ants over and over again – a mantra or spell to ward off the constant spikes being thrown at me.

‘Prince Charming’
‘Ridicule is nothing to be scared of’
‘Don’t you ever stop being dandy, showing me you’re handsome’
‘Don’t you ever lower yourself, forgetting all your standards’
‘Silk or leather or a feather respect yourself and all of those around you’

If it were not for Adam and the Ants I would not have survived Year Nine. It’s surprising what keeps us breathing just one more day when everything seems so bleak.

Every now and then a sale of weird, mostly odd or academic type books, would come to town and set up shop for a bit. I found a book there called “The Gender Trap: The Moving Autobiography of Chris and Cathy, the first Transsexual Parents” by Chris Johnson and Cathy Brown (with Wendy Nelson). It fascinated me! Looking back, I wonder what would have happened if I knew then what I know now. But back then, despite the Gender Bending, all I really knew was binary, and I hadn’t come to the realisation that I wasn’t. Binary I mean. I still have that book – a treasured piece that sparked something in my mind to believe that things could be different. One day.

Of course, I was different in many ways. I never grew into my physical self. I loathe the female things about me. The smell of menstruation, the mess, the draining of lifeforce that came with it. The bumps in my chest that are always in the way and need to be hidden as much as possible – an ugly deformity. The glaring absence of those parts of me that existed only in my mind. My never pairing up or chasing after people. My parents, who visibly and quite strongly showed how much they hated same sex coupling, would tell me that they wouldn’t mind if I brought home a girl. Actually, they wouldn’t have minded if I’d brought home a Martian. Anything remotely resembling human would have done. But that’s not my thing.

And then there’s my being a witch. But that’s a tale for another day.

This tale is about my rebirth. No – it’s about my coming home to myself; my becoming whole again.

It was being in the Pagan community – especially Wildwood and Reclaiming – that I first saw non binary people and people with other sexualities. That I found myself allowed, for the first time, to explore who I was in a safe environment. For a witch knowing yourself is actually quite essential! And it has indeed been quite the journey.

So several years ago now I came out. As non-binary. Then as asexual. And more recently, as Trans.

I remember vividly the intense, overpowering joy that came with speaking my whole name for the first time to a beloved. It felt so right – my soul just shone through me and I felt all lit up, wings proudly stretched. I felt strong. But the naming is just part of the becoming. An important part, and just as importantly to have the naming witnessed. But just a part. Logistics demand that the name be lived; be embraced wholly and whole heartedly. This required more than just asking people to call me my whole name – there were (and still are) forms to fill in, boxes to tick, people to tell and all the rest of it.

But more important than any of that was the honouring of my old self. That part of me that was being laid to rest. I’d lived that other part, however misshapenly, for such a long time. She needed to be properly acknowledged.

And being a Witch, I found myself at a time of year when the veil is thinnest spontaneously undertaking a ritual to lay her to rest.

I opened the cross roads, called on the Watchers, the Guardians, the Maidens, the Sacred Four – and other beloved spirits – to witness. And they came.

I conjured her up and held her one last time, as one holds a beloved, and found myself singing

‘Bone by bone I honour you
Bone by bone I honour you
Bone by bone I honour you
Bone by bone I honour you
I lay you down
For all that you’ve been through
I lay you down
And promise to remember you.’

(Song by Sefora Janel Ray with some help from Dani Phoenix Oatfield)

Tears started to flow as a stream of past lived experiences – good and bad – flowed. She was real and heavy in my arms. And I felt such love for this person as I sang – such joy at having known them – valuing them and everything they’d gone though, thought, felt, done. She smiled up at me as I promised to remember her.

And then I let her go.

Cried till there was no more need to cry.

I stood, whole unto myself, and called out my whole name. And again. And again. Smiling with the euphoric release of acknowledging who I am to myself, and to my beloved spirits.

Standing there, feeling whole, feeling complete, seeing my path clearly in front of me.

To honour the occasion I pulled a Tarot card – the Magician. It felt so apt.

Thanked those who witnessed, closed, and stepped away.

Renewed.

Only Statues Weeping

My heart is a rock
And my eyes are ice
Sadness fills my days
Emptiness my nights
I sit alone
Untouched by life
Unmoved by the play
The sounds and sights

I don’t want to be here
There’s nothing to see here
Only shadows sleeping

I don’t want to be here
There’s nothing to see here
Only statues weeping

There’s a raging fire
Just not in me
An abandoned twig
On untamed sea
Pleasure’s just a word
Laughter a joke
I try to smile
But find I choke

I don’t want to be here
There’s nothing to see here
Only shadows sleeping

I don’t want to be here
There’s nothing to see here
Only statues weeping

I fill up my hours
With mindless waste
Nurse my aching need
To depart post haste
The road ahead is blocked
And I’m just stuck
A mouse in a wheel
Getting nowhere fast

I don’t want to be here
There’s nothing to see here
Only shadows sleeping

I don’t want to be here
There’s nothing to see here
Only statues weeping

I don’t want to be here
There’s nothing to see here
Only shadows sleeping

I don’t want to be here
There’s nothing to see here
Only statues weeping

Only statues weeping

 
Listen to the song

© AM Hunter November 2018

Inspirations: The Importance of Voice

The first lines of the Mirror revealed themselves to me after first experiencing a Mama Alto performance. I found the way that she wove song and social commentary together while still providing an intimate experience through voice and personality to be enchanting. I was bedazzled from seeing reflections of myself and the world I live within that I’d rarely acknowledged.

And so the Song became a Mirror.

The first verse and chorus came quickly but I was distracted and put it down.

When I picked up my song again some months later I was struck by the power of Voice; of those who are loud, those who are silent; of those who listen and of those who turn away.

My focus changed from the song to the singer, and the resemblance to a Goddess of my tradition we know as Weaver. The singer weaves through her voice our Wyrd, spinning us into reflections; shapes of shadows and light that dance upon the surface of her vastness as we struggle to feel, to reflect, to understand.

The last verse came much later than the first two. It came in a rush of world events that demonstrated once again the power of voice. Students, victims of violence, who had been silenced by the powers that be finding their voice; finding power in their voice and inspiring others to stand against injustice  and oppression. For it is in choosing to remain silent, to not act, that true horror comes.

And of course, it is the artist, the singer, the poet who has the tools to show society the truth hidden in plain sight.

The Mirror shows a side of us not all wish to see, but those who do and who choose embrace what they see, who become more than mere reflections, can affect such amazing feats.

The Mirror

Dedicated with love to Mama Alto, who’s grace, social conscious and amazing voice inspired this piece.

A voice comes from the darkness
A ghostly thread of light
It sparks the air around us
Like the stars light up the night
Her voice weaves all around us
As she holds us in her sway
She says my hands they hold a Mirror
Who’ll look on it this day

And the Mirror pulses once or twice
As shapes take form from Shadow and Light
They dance around us with a mind of their own
No longer spectres they are flesh and bone

We are all surrounded
By bigotry and greed
So much hungry grasping
For things we just don’t need
And those who are in power
And could use if for such good
Turn away from compassion
And say we also should

And the Mirror pulses once or twice
As shapes take form from Shadow and Light
They dance around us with a mind of their own
No longer Spectres they are flesh and bone

Her voice weaves through this bleakness
Of poison, waste and lies
A hand ignites a beacon
Of hope into these skies
Those who see it rise in numbers
Defiant voices scream
We refuse to be tools of hatred
When love lives in our dreams

And the Mirror pulses once or twice
As shapes take form from Shadow and Light
They dance around us with a mind of their own
No longer spectres they are flesh and bone

And the Mirror pulses once or twice
As shapes take form from Shadow and Light
They dance around us with a mind of their own
No longer spectres we are flesh and bone

We are flesh and bone

Listen to the song

© AM Hunter 2018