Committing to the Land

Initiation after completing the Shamanic Apprenticeship required my thinking about what my service was and who I would be serving by my practice. What gifts did I bring that I could contribute to community. I thought about a lot of things leading up to my initiation, but kept coming back to land. It was in Cornwall back in 2010 that I had felt myself drawn to stone and to the vibrations of the land. Once I sat down and really thought about it, everything was drawing me to working with the land in quite specific ways. Connecting, finding serpent energy lines, and cleansing / purifying the lines and energy centres so they were healthy. Working with the spiritual guardians of the land and my own spirit allies.

I decided to make a weekly commitment to a particular place by a nearby river. There was a modern stone circle set up on one side of the river, with painted stones to commemorate the native inhabitants of this land. A mix of Aboriginal and European as it was next to a garden commemorating other groups from different places in Europe.

My first session I called on Mother and she gave me a possum skin cloak to put on to protect me (I didn’t ask from what). She said she would always be with me when I wore it, regardless of where I was, and agreed to act as intermediary between me and the local spirits of place. With me was Bob, of course, and my spirit twin: an ally I had found when working with trance into land-based vision quests, and who was tied to my ancestry or bloodline.

The circle was made up of five stones, which appeared to me to represent water, spirit, fire, air and Earth. In the centre was a young tree to one side of a circle of stones. The ritual was very simple – I brought offerings of cake (from a vegan bakery) and water, which I placed in the centre ring of stones after tracing my way around honouring the elements and guardians. And then I sat so I could be in closer contact with the earth, and opened myself to the vibrations of place. I could feel beneath a powerful energy serpent, not quite aligned with the circle. Already awake and being tended by someone, unlike other areas where the energy slept. To my eyes, the serpent was orange-red colour, which meant that it needed healing/cleansing work. But I didn’t want to act without being in contact with the guardian of the place.

Mother introduced me to an Elder, an Aboriginal male spirit, who guarded the place and who was quite wary of me. I asked if the offering was accepting, and he said it wasn’t. That I should bring bread and water.

That first time was quite awkward as I had not yet found my routine or developed a working relationship with the Elder, who I began to call Grandfather at his request (when I asked what I could call him by). There was a lot of translating going on between my allies and Grandfather to find a way that this could work. The serpent healing did not happen the first time because things were too confusing in my head and it didn’t feel like the right time. But Bob was angry with me and told me off for not doing my duty and healing the serpent when I had noticed it had needed healing. The next time was better.

Path pointer stone, Maribyrnong River bank 2015
Path pointer stone, Maribyrnong River bank 2015

Beauty

I gaze with wonder
At the beauty of a tree
Yet no matter how
Hard I try to see
I am never able
To see beauty in me

It’s party the word
For beauty is tainted
With barbs and thorns
With acid it’s painted
And it still burns,
Stings, is never sated

I’ve been called that
Since the age of five
Called beauty meaning ugly,
Boring, fat, uninspired
Meaning we hate you
Why don’t you just die?

I’ve tried to reclaim it
It use it with love
Embrace its true meaning
Send it off like a dove
To bring peace to my life
Here, below and above

But then I remember
What answer was given
To one who asked why
Such a name in derision
‘Because she’s so ugly’
Those words are still risen

Being with friends
Who wanted to know
What I thought of me
Hid under the bed so
They could record and replay
But my voice was too low

I was told that I should
Want to beat myself up
That to think anything else
Was just arrogant fluff
As for wearing bright colours?
Good grief, no. Enough!

And so here I am
There is only me
No ghostly remembrances
Or derisive glee
Surely now I am able?
Beauty can see?

© A M Hunter 2015

Finding my path

For several years I spent my time honing my practices and learning new skills; mostly associated with shamanic witchcraft from my teachers, Bob and Gede. I began to understand my strengths and weaknesses, which aspects I preferred to work with and where I fitted in the scheme of things.

Most of my practice is devotional in that I foster relationships and work with various deity spirits. But I also found myself becoming involved with spirits of other varieties. I would delve down into the earthen chambers of passage tombs and climb up into new realms (in my trance work), and when out on the land, found myself continually drawn to communing with stone. Natural stone mostly, which to me often appears as a vision of an opening eye, in skin much like that of a reptile. The spirit of stone that I would speak to may be sleepy, may show me images that it was witness to or sensations it experienced or just blink and ignore me. I would see shapes and colours associated with the stone, which I came to learn was a representation of the stone’s vibration. And I saw serpents in the land.

Bob would give me the task of feeling into the landscape I was in and finding energy lines. Seeking them out, knowing where they were, and describing to him how they looked or felt to me. The lines would often appear as serpents of specific colours; green, being healthy, orange and red, being in need of purification or healing, were the main colours I would see. Sometimes blue, which would be much less dangerous and not need purification or healing.

One time at work, I wasn’t feeling very well and was open when I should have been closed. I felt a probe from below (the land on which my work place is situated is poisoned due to the former occupation the space was used for). I answered, felt my energy draining very quickly, and saw a spherical sinkhole open up around me absorbing my energy. I almost passed out. At the time, I didn’t realise what was happening or why, but it was a very good lesson for me and I learned to shield myself more effectively. I later came to understand that what happened was linked to what I do: my path. The energy was sick, and my energy was used to help to heal it. Of course, it needed more than I was able to give, but the understanding was the beginning for me of finding my path.

Sometime later, at a workshop during trance work, I found myself called by Mother, the spirit of an Aboriginal woman that I met some years previously. The trance experience held me for the duration of the work, and I found myself unable to let go until I was finished. Mother took me through a landscape I didn’t recognise to a cave near water. In the cave were oval shaped rocks. My task was to paint them with wavy lines, eyes, and a mouth, and set them in a circle. Around me in the workshop, energy was being raised. I found myself tapping into and pulling down that energy, using it to charge the painted stones, and to heal or purify the nearby land serpent and send the pulse of healing energy into the land.

It was only after this experience, which left me drained for several days, that I understood Mother was a land spirit and that I was being called to perform some healing work needed by the land itself. Discussing it with Bob I also began to understand that land energy healing work is something witches have always done; that it is in my blood and I have ancestral connections to working with land in this way.

The thing was – Mother is Australian Aborigine land spirit and my ancestry is from England, Scotland and Ireland. To my mind, initially at least, there were issues with the work as a result of this that I needed to resolve. It was more than the possibility that my ancestors were quite probably involved in activities that harmed Aboriginal people and this land. It was also the logistics of how to go about doing the work; how to apply it in a way that would be acceptable.

Upon my initiation from the Shamanic Apprenticeship I had undergone, I found my answer.

Detail from the Uffington White Horse, England 2010. Horse or Dragon?
Detail from the Uffington White Horse, England 2010. Horse or Dragon?

 

From the Dark of the Woods

From the dark of the wood
Stepped he
With hair of flax and
Clothes of green
And with wicked eye
And joyful grin
Said ‘how nice of you
To wander in’

Out reached his hand
With fingers lean
And a glow from within
Somehow unseen
A gold harp he plucked
It’s tune let sound
To flow up and in
And all around

Enveloped in
Warm and snug
Wrapped around
Like a favoured rug
Whose presence eases
Strife and pain
And teases in love
Once again

At this beautiful
Creature I gaze
Mind at rest
Yet in a haze
Of breathless wonder
And quiet atone
My mark ablaze
Their eyes my own

I look at him
And I am home

© A M Hunter 2014

Our Lady

White Lady of the wells
Whisper to me
Healing spirit
Cleansing waters
Seeping through my skin

Red Lady, our Rose Queen
Singing softly
Songs of longing
Passions spreading
Fill my heart with love

Black Lady of the Night
Shadows linger
Hiding secrets
Black suede fingers
Combing through my soul

Our Lady Crescent Crowned
Moonlight Goddess
Shines so brightly
Ever changing
Season’s cyclic guide

Be with us
Awaken us
Help us to see
And to be all we can be

Our Lady Crescent Crowned
Our Crescent Crowned Goddess

Listen to the song

© A M Hunter 2014

Returning Home a Stranger

Shortly after my return home, I ventured to the first ever Reclaiming Witchcamp held in Australia. I knew nothing of Reclaiming and wasn’t sure what to expect. My return had confused me on a number of levels as the way that I had connected to land was different somehow. Harder to connect with and foreign. I hoped to find something that I could use to help with connection and understanding.

In Boscastle, Cornwall, Bob and I walked in the early morning beside the stream, through paths strewn with holly and oak and along the cliff paths. As I walked I felt my roots go deep into the soil; it was sometimes hard to move my feet. It felt like home, despite being my first ever visit and to my knowledge I had no Cornish ancestors.

Back in Australia, even though I was born here (as were my parents and their parents) and lived here, it felt alien to me. I had no roots in the soil when I walked; just an emptiness of being far from home. I couldn’t explain it and found it hard to understand.

The path I chose to explore at camp was called Earth Song and it showed me several things: connecting with land can result in emotional turmoil due to environmental damages caused in recent times that needed to be addressed (or at least considered); that I was not alone in my connections to land and the vibrational energies that I had encountered in England and Ireland; and that different people worked with these energies in very different ways, yet there were also similarities.

Wandering around at camp on my own, I found myself reflecting on what was missing and realised that it was in many ways spiritual connection. But this caused considerable conflict within me as the spiritual connection with the land on which I lived I saw as being linked with the Aboriginal peoples who were here long before my people arrived. And with that guilt at what part my own ancestors may have played in the terrible crimes that were inflicted upon them as the land was cleared by my people for farming and towns. How could I connect with a land and spirits that my people most probably helped to harm? I sat at the side of a track and poured out my conflict to the land and was answered by a spirit of an Aboriginal woman (she appeared as a disembodied head at first). She said that she had heard me and could feel my anguish. And that she would be willing to act as a ‘go-between’ for me in connecting with land. She said to call her Mother, and called me by a new name. Her totem was the blue wren, which I have in the heart of my home now in her honour.

I didn’t realise at the time that Mother was a land spirit, or how important she was to become in my learning how to connect and work with earth energies in Australia. But that is for another post.

Those wanting information on the Australian Reclaiming Witchcamps please explore their website: http://australiareclaiming.org.au/

Please note that the Featured Image photo is from a later Camp, held in a different area from the first one as I don’t have any photos from the first camp.
Photo of Superb Fairy Wren from the Birdlife of Australia Website: http://birdlife.org.au/bird-profile/superb-fairy-wren
Photo of Superb Fairy Wren from the Birdlife of Australia Website: http://birdlife.org.au/bird-profile/superb-fairy-wren

His Challenge

Are you willing
Or will you be taken
For I am here
And I’m coming for you

Hoof and horn or teeth
Which will be forsaken
For I am here
And I’m coming for you

Look into my eyes
Such places I’ll take you
For I am here
And I’m coming for you

Walking through the woods
Will it heal or break you
For I am here
And I’m coming
For you.

Listen to the song

(c) A M Hunter 2014

Beginning the Shamanic journey

My travels in 2010 in the landscape of my ancestors, experiencing the connection between blood and place, and the shifts within myself of how I interacted and worked with such energies led me to further studies. I had began with books; my literary studies had commenced several years before my travels and had in some ways inspired them. But my journey also fed the direction that my studies would take after my return. One of the main reasons for this was a fellow traveler, Gede Parma.

He was the spiritual adviser on a tour of the Pagan sites of West County England and Ireland held by Dragon Eye Tours in 2010, and the author of the book ‘Spirited: Taking paganism beyond the circle’ which I had read shortly before signing up for the tour. My first group pagan ceremonies were held on this tour, many led by Gede, and after my return we kept in touch. A short time later I commenced a two year apprenticeship in Shamanic Practice, led by Gede, which helped me to learn a series of techniques and practices to expand my awareness of the possibilities and how I interconnected and worked with them. My focus was on expanding my understanding of connections and embracing my nature using the cauldron of land, sky and sea. Through this I learned grounding and foundation practices, divination and spirit working practices, and practices related to the underworld and ancestors. Whilst not a tradition in and of itself, the Shamanic Apprenticeship is fed by various traditions and we were encouraged as students to adjust the teachings to our own ways of working.

The Shamanic Apprenticeship provided me with the groundwork I needed to understand my earlier experiences and encouraged me to explore connections with the landscape in which I live, which is not that of my ancestors. I will explore this in more detail in future posts.

For those who are interested, much of the techniques and practices from the Shamanic Apprenticeship are captured in two other books by Gede Parma: ‘By Land, By Sky, By Sea: Three Realms of Shamanic Witchcraft’ and Ecstatic Witchcraft: Magick, Philosophy and Trance in the Shamanic Craft’. All three books are published by Llewellyn Worldwide Publications http://www.llewellyn.com/

More information on Dragon Eye Tours can be found here: http://www.dragonseyetours.com/

Gede Parma, St Nectan's Glen, 2010
Gede Parma, St Nectan’s Glen, 2010

Working with Earth Energies

When I found ‘Working with Earth Energies: How to tap into the healing powers of the natural world’ by David Furlong, I had been searching for something that kind of related to communing with stone but wasn’t sure what I was looking for. This book helped me to begin to understand the work I was becoming involved in from an energy working perspective. Most of what I’d found after being introduced to communing with stone tended to focus on ley lines and dowsing, and because I wasn’t sure still what I was actually doing finding books that were relevant was quite tricky. Yes, David covers dowsing and ley lines, but he also covers a lot of other things.

One thing from the book that really resonated with me was the small story about St Nectern’s Glen and how it had been transformed from a place where the energy was driving people away into one people were drawn to. This vignette would have greater resonance later on for me, but as I’d recently been to St Nectern’s Glen and had experienced the energy of the place first hand (it’s one of my all time favorite places so far), I found myself really drawn into the story. What I like about David’s work is that he talks about how he experiences a place; what he looks at and does in order to adjust the energy; and the results of the work.

The book is also full of different energy associations that could be worked with from land chakras to the plants and animals that are on it; to Feng Shui; to Luciferic energy and more. David discusses energy exchange that occurs all the time between everything and how this influences health (both physical health of people and of the land itself). The concept of healing the land through energy work really attracted me and felt like it fitted quite strongly with what I had been doing when communing with stone.