Land Acknowledgement
Song to acknowledge country. Originally written for Dja Dja Wurrung Land (Earthsong Witchcamp 2019), but also fits with Waddawurrung Land and can be used for others that end in ‘ung’ to match the rhyme.
Included is my YouTube video on acknowledging Country as an important part of our practice.
Grounding and Alignment
See my Grounding and Alignment Practices page for videos about how I ground and align. One of the most important practices, in my humble opinion, and often overlooked due to the focus on the main part of the ritual.
A song to centre
Circle Castings and Opening Crossroads
Circle casting song which is designed for use when placing sigils at each of the directions during the cast.
Crossroad opening chant/song that aligns with the concept of dragon lines/ley lines / energy lines.
Circle casting song written for Reclaiming style circle castings, with elements at each of the directions. Written to align with the movements of the sun at each of the directions.
A crossroads opening song aligned with WildWood style openings/castings and which includes a grounding and alignment with sacred beings as part of the opening.
Written as a combined personal casting/invocation song. The idea is to sing in a landscape and mantle Our Prince and Our Lady. A WildWood song.
Honouring Ancestors
Song to honour ancestors of Blood, of Spirit, and of Craft.
Invocations / Honourings
A song to honour and ask protection of Anpu/Anubis, which includes making an offering.
Song to acknowledge, thank and honour Ara, First Witch (WildWood)
Song to invoke Athena, written for a Reclaiming Witchcamp.
A song that could be used as part of an invocation (it doesn’t specify who is being honoured) which incorporates the elements and world tree / WildWood tree.
WildWood song, which could be used to honour multiple people as it does not name who is being invoked but is written for Our Prince and Our Lady of WildWood.
Song to honour Shiva. Written as an song offering for a personal ritual, rather than as part of a multiple person ritual. However, it could have a broader use.
Chant to invoke the Goddess Danu. Written for River’s memorial, as Danu was a beloved of River. To devoke, I use the first and third lines.
Not written for use as an invocation but could be used to honour Dionysus.
WildWood song to honour Our Lady but could be used in other invocations if the meanings and symbolism aligns.
Poetic work for healing and to honour St Brigid – spoken not sung.
Land elemental honouring song for Reclaiming style rituals (written for Earthsong Witchcamp 2019) that follows the Australian Wombat through the earth.
Grandmother Weaver Grandfather Green
WildWood song to honour Grandmother Weaver and Grandfather Green Man.
WildWood song to invoke / devoke and honour Green Man.
Reclaiming song in honour of the Star Goddess. Not written as an invocation but could be used as a devotional piece.
WildWood song to honour Our Raven Queen.
Written to honour St Brigid, although her name is not specifically mentioned.
WildWood song for Our Prince. It was not specifically written to invoke or honour; more to acknowledge Our Prince’s power to provoke transformation through challenge. Depending on the ritual, it could be used as part of an invocation.
WildWood song to honour Our Lady
Originally written to honour the renewing of vows for my Beloved Sibling Fio, but could be used as part of an invocation if the context of the song fits.
Song to honour the Sun, the Moon and the Stars.
Song/Chant to honour St Brigid/Bridgid.
Song to invoke the WildWood Guardians.
Additional Pieces
Celebrate the Birth of the Sun
By tweaking the last line and singing ‘to’ instead of ‘Mew’, this song can be used as a Solstice Song – to celebrate the birth of the sun on Winter Solstice.
A chant / spell song that can be used when cleaning to ask for Hestia’s assistance.
Protective healing chant to work with the cycles of the moon
A WildWood embodyment of sacred beings, intended for personal work. Written to be spoken rather than sung
A song/chant for trancework to move through time.
A song/chant for trancework written for moving through a labyrinth, but could be used for another moving trance.
A Lughnasadd song, written to kneed bread to
A lamentation song to sing while ritually farewelling a beloved.
A WildWood song to honour those who have passed or are not with us (perhaps we simply miss them)
A WildWood Honouring, Veiling, and Spell Song. The chorus can be used as a spell casting chant on its own. The song honours the Sacred Four of WildWood whose essence fills the singer, and is woven into the working.
The end chorus of this song could be used as a chant for rituals where the focus is to retrieve a piece of our soul that has been lost or torn away.
A song for working through letting go
A WildWood Song for the Wolf Mother to mantle, for use in personal rites when the Wolf Mother in us is needed.
A WildWood healing spell song aligned with Grandmother Weaver
A song for blessing someone in line with WildWood mythos
Green and Grey 