Weaver Hear My Prayer

For Kathleen – a healing spell song

Weaver hear my prayer
Weaver weave this thread with care
Weaver hear my prayer
Weaver weave this thread with care

One I know is ill
One I know needs strength of will
One I know is ill
One I know needs strength of will

Weaver hear my prayer
Weaver weave this thread with care
Weaver hear my prayer
Weaver weave this thread with care

Weave their body strong
And their will to live life long
Weave their body strong
And their will to live life long

Weaver hear my prayer
Weaver weave this thread with care
Weaver hear my prayer
Weaver weave this thread with care

Clear them of disease
And their pain let it recede
Clear them of disease
And their pain let it recede

Weaver hear my prayer
Weaver weave this thread with care
Weaver hear my prayer
Weaver weave this thread with care

Weave their body strong
And their will to live life long
Weave their body strong
And their will to live life long

Weaver hear my prayer
Weaver weave this thread with care
Weaver hear my prayer
Weaver weave this thread with care

One I know is ill
One I know needs strength of will
One I know is ill
One I know needs strength of will

Weaver hear my prayer
Weaver weave this thread with care
Weaver hear my prayer
Weaver weave this thread with care

© AM (Xander) Hunter November 2022

Song – Weaver Hear My Prayer – by Xander

Flame in the Well

Flame in the Well
Well in the Flame
Blessed St Brigit
Know their name

Keeper of the Ways
Be their Guide
Show them where
Their dis-ease lies

Healer and Poet
Forge and Smith
Reveal to them
The strengths they’re with

Beloved of Our Lady
All a glow
That they are loved
Let them know

Well in the Flame
Flame in the Well
In Health and Happiness
Let them Dwell

© AM (Xander) Hunter July 2020

Harrowed by Song

Songs are their own special kind of creature. Sometimes they are like butterflies that flutter around me, just out of reach; distracting me with their colours and their delicate dance. Sometimes they barely touch me as they come through and out into the world. And sometimes, they bludgeon me about the head and gouge out my insides as they demand to come into being.

In your Eyes was that kind of song.

I was in the middle of a spreadsheet for work when it started to come through. A tidal wave of emotion flooded through me, blurring my vision and I had to stand up. Stop what I was doing. I grabbed my handkerchief (who can find tissues in these days of bare supermarket shelves) and burst into tears. Not the gentle, delicate tears of something wonderful and euphoric. No – these were the body-bending, gut-wrenching sobs of something deep and intangible; something so complex that naming the emotion that swept through me was just impossible. I was desolate, confused, torn by something jagged and thrown aside to be flayed by the winds.

There were no words. No tune.

But along with the sobbing were pictures. Yuzuru Hanyu skating his world record breaking short program from the Four Continents Championships earlier this year. And watching him, from the sidelines, his Pooh Bear tissue box.

I didn’t understand. Not at first.

To find the words I had to return to the sobbing and travel through it to the depths it came from. The Pooh Bear was the key.

Watching.

That which is perceived by another is often not seen by the person being scrutinised. Hope, beauty, love – all concepts that some of us find extremely difficult to consider when we look within. But through someone else’s eyes, if they see that within us, we can be lifted up and carried along. We emerge like the phoenix from the ashes of our despair and the death of our love-starved souls. For those of us who are often seduced by our Dark Lover, death, a message of hope, a reminder that life is beautiful and worth living, can be hard to believe if someone isn’t there to show us the way. And that someone is often not the person you would expect; in fact it is often not a person at all.

The tune came from Yuzu’s skate routine, with its twirls, its jumps and glides. Uplifting, enchanting and wondrous; a serenade for the beloved who sees more in us that we could ever see in ourselves; taking us to heights we previously thought impossible to achieve. And we reach them easily as we almost believe every word.

I knew there would be a backlash. Recording the song once I finally finished catching it the next day required me to embody the wonder and enchantment seen by the one who watches; to feel intensely how amazing, beautiful, strong and courageous I am; to know that life is beautiful and that through everything that is happening there is wonder in this world; that I have a future.

It was evening when the backlash rained down. Like a dark dragon of night it was on me before I had time to fully prepare and I was glad I’d clipped my nails a few days earlier. Self-loathing like a poison spread through every part of me and I tore at the air as I allowed my pain to find its voice. It’s poison harrowed me through the night and into the next morning. My throat was raw from ranting and sobbing. My eyes were red with tears still waiting to be shed. My heart was cracked and broken.

But my song. Ah, my song is wondrous!

(C) AM (Xander) Hunter March 2020

Reclaiming my Hand

Fingers in
Pressing down
Can you feel it?
I used to wonder
Why I never allowed myself
To get drunk
Now I know

Fingers in
Pressing down
Can you feel it?
Always wondering why
Never knowing
Hating hospitals
Avoiding surgery

Fingers in
Pressing down
Can you feel it?
Saying you were just
Following orders
Isn’t good enough
Hypocrisy sticks

Fingers in
Pressing down
Can you feel it?
How long was it
Before one of you
Had the Nerve
To take a stand?

Fingers in
Pressing down
Can you feel it?
Each digit is mine
To command
May they rot off your bones
Blacken your name

Fingers in
Pressing down
Can you feel it?
Violation
Is not just a word
Meant for someone
Awake or aware

Fingers in
Pressing down
Can you feel it?
Silence is not Golden
Your voice wilts
It holds no power here
Not anymore

Fingers in
Pressing down
Can you feel it?
I am not some lesson
A text book
Written in flesh
Blood and bone

Fingers in
Pressing down
Can you feel it?
My fingers
Pressing your bones
Tearing your flesh
While you sleep unaware

Fingers in
Pressing down
Can you feel it?
My hand around your throat
Strangling your thoughts
Pressing on your
Peace of mind

Fingers in
Pressing down
Can you feel it?
The panic as you try to wake
Ease yourself from fear
But don’t worry
I’ll be back tomorrow

Fingers in
Pressing down
Can you feel it?

© AM (Xander) Hunter March 2020

About this poem

Enjoying the wonders of creation

I am a song writer, not a singer. Although I do record myself singing, it’s illustrative more than anything else.

I love singing!

The joy that comes from the simple act of air moving through the vocal chords always catches me by surprise. Even on my worst and most negative days singing along to my favourite songs, or just singing the words in my heart, never fails to lift my mood.

Singing is one of the hidden wonders of our world; a sacred act. It connects us in profound ways to the vibrations of life; the beginning and end and renewal of all things.

Singing brings us home.

Writing songs is not something I do. It’s who I am. The songs come as naturally as breathing and are as nourishing as the most exquisite feast. They spiral through my heart, my soul, to my head and give me no peace until I capture them. Sometimes I imagine them as butterflies dancing around my eyes. Their colour, beauty and design so close, so wonderful. And yet if I reach out and grab them it’s so easy to end up with something squashed and twisted beyond all recognition. My songs as I catch them are never the way I hear and see them. My voice is not good enough; I can’t sing that high, or that low; I’m not a soul singer, a jazz singer, or whatever the song calls for.

What I catch is an impression of what I experience in my head.

The other week I was watching the X-Files season one. It was the episode of the Jersey Devil. The wild woman lay dead in the leaves and Mulder, his eyes filling with emotion, looked into the smug face of the Alpha Male who shot her and said ‘why’.

And my head sang:

In the  thrall of our own trauma
We thrive on the pain of others
To numb our own.

It came as a Gregorian Chant, repeated over and over again like a delicate bell tolling the marking of some special occasion. And I kept seeing Mulder’s face, hearing him asking ‘Why’. And thinking of the Wild Woman dead in the leaves. The Man of Authority who shot her. How happy he was to have done so.

I wondered: why those words and that scene – together?

Singing the chant over and over as I moved through the next few days I began to realise why the Wild Woman had to be dead in the leaves. Why Mulder’s face while he asked that question was so haunting. Why it called to me so profoundly and touched me so deeply.

I am Mulder asking myself – that part of me that curbs my passions and corrals my creative imaginings into something ‘acceptable’ – why I am laying dead in the leaves. My wild soul; my true self.

Focusing on the pain of others means I don’t have to focus on my own. Confronting my shadows is a revolutionary act if I can allow myself to feel the pain, and see the beauty; to experience love, truth and wisdom in the darkness as well as in the light. And yet facing that particular mirror is terrifying.

I don’t trust many people – especially myself. Anxiety traces the spider’s web of fears that threaten to splinter my soul. It creeps out of the corners and lurks just out of sight.

And yet that simple, almost childish question of ‘why’ reminds me of how beautiful and freeing compassion and empathy are. I remember that they are my strength. The innocence of the Wild Woman, killed for following her nature and daring to be her true self, contains such courage. It’s the kind of courage that I constantly forget because society continually tells me that I should be something other than who I am.

And I am complicit.

That chant, that scene, is my call to arms to myself to be courageous again. To act with compassion and empathy. To be in tune with my heart as it sings that silvered otherworldly glow fluttering behind my eyes into life.

Another One Bites the Dust

They hit me
Those words spoken
So casually.
I feel it
Spiked edge sharp
Metallic
Barbed wire buried deep
Into flesh already holding
So many
Scars
And cracks.
It hurts
But I smile
Pretending to be OK
Because
If I speak
My words are encoded.
Like a Sphynx
I speak in riddles
Very few
Understand;
Like the Lonely Whale
I communicate
In a frequency
No other hears
Despite being
Surrounded;
In community.
You correct me
When I try to speak
Regardless.
I begin a sentence
And you break in
With questions.
Clarifications.
To understand me
Because I am such a bad
Communicator.
It’s true:
My past is littered
With failed attempts
At connection.
I see in your eyes
Embarrassment
At being linked with me
In society.
Afraid perhaps
That my poor attempts
At talking
Will reflect badly on you;
On the work we both serve.
So I stay silent.
Or speak in whispers
To a trusted few.
And slip further
Away
Another crack
Another scar
And I wonder at when
My being
My One
Became so
Reliant
Dependant
On what others
Thought
Or said.
When was it
That first time I
Was shut down
Shut out
For being bad
At communicating?
I take a look at
My scars
My cracks
And see myself
In so many
Broken shards;
Reflections
Of reflections.
Too many.
I have somehow
Lost myself here
My core strength
Oozing out
Like pus
Into nothingness.
My silent consent
For others
To dictate terms
For how
I
Should be
Rests against
That
Metallic point.
I encase it
In my pus
My blood
My tears and sweat.
I take it in
As a reminder
That I am
Strong
And capable;
That being me
When I am true
To myself
Is everything
I need
To focus on.
To be whole.
I admit thinking
Briefly
When that barb
First hit
That here it was.
The end
Of another
Relationship.
But instead
It is the beginning.

©June 2018 AM Hunter

Song for Yasu

Most people I know are fully aware how much I adore Acid Black Cherry; their music, and the amazing Yasu – a totally unique and inspirational individual. I may not yet understand Japanese but I find language to be no barrier at all to loving the music, the poet, the songwriter, the many masked Yasu and the musicians who surround them. Yasu dances in my soul and sparks me back to life when my embers are in danger of becoming cold.

So when I heard that Yasu was seriously ill (so much so that the forthcoming tour of new material was cancelled) I wanted to give something back to the amazingly beautiful being I find so inspirational. Ten Thousand Cranes was the result.

When I wrote it I could not help thinking of Marlene Dietrich, with top hat and a swirl of cigarette smoke in some bordello from the roaring twenties but I could never match her voice. And when I tried singing the song I found it hard to reach the range of notes that I heard in my head or breathe in a way that served the song. My recording is a poor example of the basic tune waiting for someone to give it wings.

The photograph of the lyrics and cranes was taken to be included in a special book prepared by a group of international fans to show Yasu their/our undying support and love (Thank You Cherry Bomb!).

I don’t usually write an explanation of my songs, but felt a need to express what I was trying to achieve wrapped up with love in the cranes folded paper wings.