Following Wombat

Written by AM (Xander) Hunter at EarthSong Witchcamp, Australia 2019

Walking the Earth
Ambling around
Following wombat
Under the ground
Through those roots
And over those stones
Brushing by
Those dry old bones
Honouring the Earth
With every breath
We honour this land
With every step

Walking the Earth
Ambling around
Following wombat
Under the ground
Through those roots
And over those stones
Brushing by
Those dry old bones
Honouring the Earth
With every breath
We honour this land
With every step

Walking the Earth
Ambling around
Following wombat
Under the ground
Through those roots
And over those stones
Brushing by
Those dry old bones
Honouring the Earth
With every breath
We honour this land
With every step

Walking the Earth
Ambling around
Following Wombat
Under the ground

 

Listen to the song
© AM Hunter (Xander) September 2019

I am Waiting

I am waiting
For that four leaf clover
I am waiting
For that rabbit foot charm
I am waiting
To come across a lucky fountain
And a golden coin to ‘protect me from harm’

I am waiting
For that bell to keep on tolling
I am waiting
To hear you calling my name
I am waiting
For that door within the mountain
To open on up and let me live again

I am waiting
For your Hell to freeze over
I am waiting
For your Satan to rise
I am waiting
For your hosts of heavenly angels
To rain down justice from the skies

I am waiting
For the Earth to keep on burning
I am waiting
For those oceans to rise
I am waiting
For the World to keep on turning
After Humans have succeeded in their own demise

Listen to the song

© AM (Xander) Hunter September 2019

Finding my path

For several years I spent my time honing my practices and learning new skills; mostly associated with shamanic witchcraft from my teachers, Bob and Gede. I began to understand my strengths and weaknesses, which aspects I preferred to work with and where I fitted in the scheme of things.

Most of my practice is devotional in that I foster relationships and work with various deity spirits. But I also found myself becoming involved with spirits of other varieties. I would delve down into the earthen chambers of passage tombs and climb up into new realms (in my trance work), and when out on the land, found myself continually drawn to communing with stone. Natural stone mostly, which to me often appears as a vision of an opening eye, in skin much like that of a reptile. The spirit of stone that I would speak to may be sleepy, may show me images that it was witness to or sensations it experienced or just blink and ignore me. I would see shapes and colours associated with the stone, which I came to learn was a representation of the stone’s vibration. And I saw serpents in the land.

Bob would give me the task of feeling into the landscape I was in and finding energy lines. Seeking them out, knowing where they were, and describing to him how they looked or felt to me. The lines would often appear as serpents of specific colours; green, being healthy, orange and red, being in need of purification or healing, were the main colours I would see. Sometimes blue, which would be much less dangerous and not need purification or healing.

One time at work, I wasn’t feeling very well and was open when I should have been closed. I felt a probe from below (the land on which my work place is situated is poisoned due to the former occupation the space was used for). I answered, felt my energy draining very quickly, and saw a spherical sinkhole open up around me absorbing my energy. I almost passed out. At the time, I didn’t realise what was happening or why, but it was a very good lesson for me and I learned to shield myself more effectively. I later came to understand that what happened was linked to what I do: my path. The energy was sick, and my energy was used to help to heal it. Of course, it needed more than I was able to give, but the understanding was the beginning for me of finding my path.

Sometime later, at a workshop during trance work, I found myself called by Mother, the spirit of an Aboriginal woman that I met some years previously. The trance experience held me for the duration of the work, and I found myself unable to let go until I was finished. Mother took me through a landscape I didn’t recognise to a cave near water. In the cave were oval shaped rocks. My task was to paint them with wavy lines, eyes, and a mouth, and set them in a circle. Around me in the workshop, energy was being raised. I found myself tapping into and pulling down that energy, using it to charge the painted stones, and to heal or purify the nearby land serpent and send the pulse of healing energy into the land.

It was only after this experience, which left me drained for several days, that I understood Mother was a land spirit and that I was being called to perform some healing work needed by the land itself. Discussing it with Bob I also began to understand that land energy healing work is something witches have always done; that it is in my blood and I have ancestral connections to working with land in this way.

The thing was – Mother is Australian Aborigine land spirit and my ancestry is from England, Scotland and Ireland. To my mind, initially at least, there were issues with the work as a result of this that I needed to resolve. It was more than the possibility that my ancestors were quite probably involved in activities that harmed Aboriginal people and this land. It was also the logistics of how to go about doing the work; how to apply it in a way that would be acceptable.

Upon my initiation from the Shamanic Apprenticeship I had undergone, I found my answer.

Detail from the Uffington White Horse, England 2010. Horse or Dragon?
Detail from the Uffington White Horse, England 2010. Horse or Dragon?

 

Working with Earth Energies

When I found ‘Working with Earth Energies: How to tap into the healing powers of the natural world’ by David Furlong, I had been searching for something that kind of related to communing with stone but wasn’t sure what I was looking for. This book helped me to begin to understand the work I was becoming involved in from an energy working perspective. Most of what I’d found after being introduced to communing with stone tended to focus on ley lines and dowsing, and because I wasn’t sure still what I was actually doing finding books that were relevant was quite tricky. Yes, David covers dowsing and ley lines, but he also covers a lot of other things.

One thing from the book that really resonated with me was the small story about St Nectern’s Glen and how it had been transformed from a place where the energy was driving people away into one people were drawn to. This vignette would have greater resonance later on for me, but as I’d recently been to St Nectern’s Glen and had experienced the energy of the place first hand (it’s one of my all time favorite places so far), I found myself really drawn into the story. What I like about David’s work is that he talks about how he experiences a place; what he looks at and does in order to adjust the energy; and the results of the work.

The book is also full of different energy associations that could be worked with from land chakras to the plants and animals that are on it; to Feng Shui; to Luciferic energy and more. David discusses energy exchange that occurs all the time between everything and how this influences health (both physical health of people and of the land itself). The concept of healing the land through energy work really attracted me and felt like it fitted quite strongly with what I had been doing when communing with stone.

Geometric Revelations

Wandering through the landscape of the tombs and temples of my ancestors I was often struck by the geometric designs carved into the stones. Designs like spirals, wavy lines, circles and zig-zags. What did they mean?

Being new to energetic lines, it didn’t occur to me until I saw an Irish museum poster that the geometric shapes were representations of the vibrations and energies I had been seeing in shapes and colours when communing with stone. Then it just seemed so obvious and I felt very stupid for not noticing earlier.

I began to wonder why we stopped drawing them, or if we had changed and were drawing them in a different way (and if so why). Was it that we had moved into a different direction and we were dealing with energetic lines and vibrations in a new way, or had the knowledge become secret? Perhaps what had changed was simply our awareness of them.

Whatever it was, now that I did know I had become hooked and eager to know more.

Headstone at Newgrange, Ireland 2010
Headstone at Newgrange, Ireland 2010

Sacred Places of Stone

Stone and sacred spaces just seem to go together for me. Whether it be stone circles, tombs or natural stone formations, there is something about being surrounded by stone that just raises my consciousness. When I am touching stone, I feel grounded and at peace and my worries flow away. I feel at home and connected to this place we call Earth.

Being at St Nectan’s Glen was an amazing experience because the evidence that this wonderful place was special to so many other people surrounded you. And at the same time in front of you and all around you was this wondrous cathedral of natural stone. In the middle of this place was a beautiful waterfall that flowed through a naturally formed circle.

The stone walls were of slate, forming natural shelves that were covered in small candles and other offerings; on the larger shelves, especially in the middle of the stream; were stones in tall pillars, one on top of the other. The trees were covered in colourful ribbons and other offerings, with one having coins pressed into its bark.

I found myself raising up, echoing off the stones that surrounded me as I stood on stepping stones to see the full glory of the waterfall; buoyed up by the love and peace that the others had placed in trust within the stone.

Offerings; St Nectan's Glen, 2010
Offerings; St Nectan’s Glen, 2010

Exploring how landscape feels

Bob explained to me as we were walking around sacred landscapes that it was important to get to know a place. To introduce your self to it and allow it to introduce itself to you. That was when I began to realise that place could be sentient; could communicate and feel. Whether it is the spirits of place or the landscape itself I think depends a lot on what you believe. Perhaps they are one and the same.

I didn’t know how to introduce myself at first. Bob laughed at my early attempts, but told me it was intention more than words and it was important to talk to the landscape in the same way it spoke to me if I wanted it to understand me. So I would talk and send images and feelings at the same time because that tended to be the kind of thing I received when talking with stone. Images of what it is to be human; of me and where I was from; a little of how I felt.  Then to open and see what images and feelings came through.

Walking into Weyland Smithy for the first time felt very special. I was drawn to it and could feel it calling out. It was a very warm place; lived in and living. Unlike the West Kennet Long Barrow, which I had visited not long before and which had felt abandoned and cold. Perhaps the difference was because Weyland Smithy had been reclaimed by the living in some way where as West Kennet Long Barrow was for the dead. Perhaps for other reasons. My feet connected with earth and I felt my roots go down with every step. I felt welcomed and happy.

When communing with specific stones, I was shown yellow rectangles and pink looped lines and a blue-green spiral as I walked among them. The images came very easily as if the stones were eager to communicate with someone willing to listen to them. Similar types of stones had similar shapes and colours, which I found to be very interesting and thought was linked to their purpose. Bob smiled and said nothing.

Weyland Smithy 2010
Weyland Smithy 2010